Back to Basics – Part 6B: Exporting Underwater Photos for Social Media Without Losing Color or Detail (2026 Edition)

Underwater turtle and diver comparison showing vibrant Lightroom image versus compressed social media upload with color shift and banding
Why underwater photos can lose color and detail after social media compression – and how to fix it.

When Your “WOW” Turns into “Why?”

Oceanic Explorers,

You nailed the shot.

A beautiful hawksbill turtle glides gracefully through the clear blue waters off Roatan. The vibrant reef glows. The red colors are finally back. The water column looks perfectly smooth.

In Lightroom, it looks exactly like you remember it.

Now all that is left is to upload it to Instagram and share the moment.

Suddenly:

  • The blues look flat

  • The reds look nuclear

  • The shadows look muddy

  • The fine coral texture looks soft

And you wonder:

“Why does this look different than Lightroom?”

Here is the truth.

Social media platforms aggressively compress, reinterpret, and rebuild your file. If you do not export correctly, they will do it for you. And they will not do it gently.

In Part 6A, we focused on exporting underwater photos without losing quality.

In Part 6B, we focus on exporting specifically for social media so your image looks the same online as it does inside Lightroom.

This is exactly how I export my own underwater reef and diver images.


Why Social Media Changes Your Underwater Colors

When you upload a JPEG file, several things happen behind the scenes:

  1. Metadata is stripped.

  2. Color profiles are converted.

  3. The file is recompressed.

  4. It is often resized.

  5. Bit-depth handling is reduced internally.

For underwater images, this is particularly dangerous.

  • Blue gradients are smooth and subtle. Compression introduces banding quickly.
  • Reds are fragile and easy to clip.
  • Shadow areas often contain noise.
  • Coral textures rely on micro-contrast.

Compression attacks these areas first.

That is why underwater photographers notice degradation faster than topside shooters.


The sRGB Rule, Non-Negotiable

Every major social platform assumes sRGB.

If you export in:

  • Adobe RGB

  • ProPhoto RGB

The platform will convert it to sRGB anyway.

And it will not ask permission.

Inside Lightroom Classic v15.1.1 or Lightroom v9.1:

Export → File Settings → Color Space → sRGB

Lightroom Classic export dialog showing JPEG format, quality set to 82, and sRGB color space selected for social media export
Always export in sRGB, with JPEG quality set to 80-85, to maintain color accuracy and detail on social media.

This one setting prevents:

  • Washed out blues

  • Oversaturated reds

  • Unexpected color shifts

This is not optional.


The Master Social Media Export Settings

These are my standard settings for underwater social delivery.

File Settings

  • Format: JPEG

  • Color Space: sRGB

  • Quality: 80–85

  • Limit File Size: Off

Why not 100 percent?

Because platforms recompress. If you upload at 100, they compress aggressively. At 80 to 85, you control the compression instead of letting Instagram decide.


Image Sizing

Resize to Fit: Long Edge
Resolution: 72–240 ppi

Important clarification:

PPI does not matter for online display. Pixel dimensions matter.

Social platforms care about pixel width, not PPI metadata.


Output Sharpening

Sharpen For: Screen
Amount: Standard

For macro images with heavy blue backgrounds, High may be appropriate.

Underwater images often need careful sharpening after resizing because blue water softens micro-contrast. Fine coral structures can disappear during downscaling.

However, do not over-sharpen. Haloing around fish fins is the fastest way to look amateur.


Platform-Specific Pixel Dimensions

Lightroom Classic export dialog showing Instagram 4 by 5 image sizing set to 1080 by 1350 pixels with sRGB color space for underwater photos
Use 1080 × 1350 pixels with a 4:5 aspect ratio to maximize vertical space and visibility in the Instagram feed.

Instagram

Best-performing format for feed:

4:5 portrait
1080 × 1350 pixels

Why?

It occupies more vertical space in the feed. More screen presence equals more attention.

Other options:

Square: 1080 × 1080
Landscape: 1080 × 566

But 4:5 consistently performs best for underwater portraits and reef scenes.


Facebook

Very similar to Instagram.

Use:

1080 long edge minimum
4:5 or square

Facebook compression is slightly more forgiving, but do not assume it is safe.


X

Landscape performs best.

Recommended:

1600 × 900

Avoid cropping fish too tightly near the edges. X sometimes crops unpredictably in previews.

Optimized image size matters for clean rendering.


Blogger / Website

For blog use:

Long Edge: 2048 pixels
Quality: 80
Sharpen: Screen Standard

This keeps:

  • Load times fast

  • Page performance strong

  • Feedspot ranking healthy

Speed affects ranking.


Avoiding Blue Banding in Water Columns

Blue gradients are fragile. Excessive compression or aggressive Dehaze can cause visible banding in smooth water columns.

Blue banding refers to visible steps or stripes in smooth underwater gradients. It typically appears after 8-bit conversion and heavy compression.

Banding happens when:

  • Dehaze is pushed too hard

  • Clarity is overused

  • Shadows are lifted excessively

  • JPEG compression is too aggressive

To prevent it:

  • Avoid extreme Dehaze before export

  • Keep clarity moderate

  • Reduce noise before resizing

  • Export at 80–85 quality

If you see banding after upload, it is almost always a gradient compression issue.


Preventing Red Channel Clipping

Side-by-side underwater reef image showing natural coral colors on the left and oversaturated red channel clipping on the right
Over-saturating reds or exporting with low compression can cause red channel clipping, resulting in unnatural neon coral and loss of texture detail.

Red channel clipping during export happens when reds are pushed so hard that they exceed JPEG limits, causing loss of detail and plastic-looking coral.

This is distinct from capture-stage red-light absorption.

In shallow reef scenes, over-editing reds can cause:

  • Texture loss

  • Artificial color

  • Harsh saturation

Instead of pushing Red Saturation to 100:

Use:

HSL → Red Luminance adjustments

Lower luminance slightly to deepen reds without oversaturating them.

Always check the histogram before export. If the red channel is pressed hard against the right side, reduce it slightly.


Lightroom Classic vs Lightroom Cloud for Social Export

Both Lightroom Classic v15.1.1 and Lightroom v9.1 export beautifully for social media.

Classic:

Export Dialog → Full control → Save preset

Cloud:

Share → Export → Same core settings

If settings match, results match.


The Social Media Export Checklist

Before Export:

☐ Confirm sRGB
☐ Confirm correct pixel dimensions
☐ Quality set to 80–85
☐ Screen sharpening enabled
☐ Histogram checked
☐ Red channel not clipped

After Upload:

☐ Compare to Lightroom master
☐ Check blue gradients
☐ Check shadow detail
☐ Check coral texture

If it does not match, adjust and re-export.


What Comes Next

In Part 6C, we move into print preparation for underwater photography.

Printing is a completely different color management world.

And if social compression frustrates you, wait until you see how paper behaves.


Final Thoughts

Exporting for social media is not an afterthought.

It is the final stage of your creative workflow.

Master it.
Control it.
Standardize it.

And your underwater photography will look as strong online as it does in Lightroom.

🎁 Want my export cheat sheet?
Download Export Cheat Sheet for Social Media

Until next week,

Dive smart.
Shoot steady.
Export with intention.


— Bob Herb


Written by Robert Herb

Empowering underwater photographers to capture and enhance the beauty of our oceans since 1978.

Stay tuned for more in-depth insights into underwater photography. Let us dive deeper into the art and craft of capturing the marine world. I would welcome any comments or suggestions.

Get ready for an exciting underwater photography adventure. For more details on my upcoming online training course, check out my Training page at RobertHerb.com or email me at bob@robertherb.com.

I look forward to your feedback and suggestions. 

Sincerely, 

Bob Herb

photo
Robert Herb
Robert Herb Photography

+1 (714) 594-9262‬  |  +504 9784-0024  |  www.RobertHerb.com

Bob@robertherb.com  |  Roatán, HN or Aliso Viejo, CA (USA)


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